|Cuban music icon Celia Cruz still banned in Cuba|
15 years later her music is still banned in Cuba, and in death she remains an unperson in official circles.
Her real crime? Choosing to live in freedom and continue her career as a musician. Because she had decided to continue to play her music, as a free woman, outside of Cuba the Castro brothers barred Celia from returning to Cuba in 1962 to bury her mother who had just died. This fueled her distaste for the Cuban dictatorship. When she went to the Guantanamo Naval Base three decades later she picked up some Cuban soil, a piece of home, to take back with her into exile.
This 1990 trip to the U.S. Guantanamo Naval Base would not be forgotten in official circles.
|Celia Cruz picks up some Cuban soil to take a piece of home back to exile|
On August 8, 2012 BBC News reported that Cuba's ban on anti-Castro musicians had been quietly lifted and on August 10 the BBC correspondent in Cuba, Sarah Rainsford, tweeted that she had been given names of forbidden artists by the central committee and the internet was a buzz that the ban on anti-Castro musicians had been quietly lifted. Others soon followed reporting on the news. The stories specifically mentioned Celia Cruz as one of the artists whose music would return to Cuban radio.
There is only one problem. It is not true. Diario de Cuba reported on August 21, 2012 that Tony Pinelli, a well known musician and radio producer, distributed an e-mail in which Rolando Álvarez, the national director of the Cuban Institute of Radio and Television Instituto Cubano de Radio y Televisión (ICRT) confirmed that the music of the late Celia Cruz would continue to be banned. The e-mail clearly stated: "All those who had allied with the enemy, who acted against our families, like Celia Cruz, who went to sing at the Guantanamo Base, the ICRT arrogated to itself the right, quite properly, not to disseminate them on Cuban radio "
According to the 2004 book Shoot the singer!: music censorship today edited by Marie Korpe there is increasing concern that post-revolution generations in Cuba are growing up without knowing or hearing censored musicians such as Celia Cruz and Olga Guillot and that this could lead to a loss of Cuban identity in future generations. This process has been described as a Cuban cultural genocide that is depriving generations of Cubans of their heritage.