Why Havana still fears this Black Cuban singer who died in 2003. #CeliaCruz100
Celia Cruz was born a hundred years ago, and passed away 22 years ago. Her music continues to be censored in Cuba, and the Cuban dictatorship cannot tolerate a group of Cuban artists honoring her memory.
The Cuban theater group El Público at Havana’s Fabrica de Arte Cubano (FAC) had planned a gala to celebrate the birth centennial of Celia Cruz on October 19, 2025, but it did not take place because it was censored by Cuban government agents.
What is it that the communists in Havana fear from this Black Cuban woman?
She was born on October 21, 1925 in the poorest section of the Santos Suárez neighborhood in Havana and lived in a small home with 13 relatives. Her mother, Catalina Alfonso, was a stay-at-home mom who looked after her vast extended family, while her father, Simon Cruz, worked as a railroad stoker. He monitored steam pressure, managed water levels, maintained the fire, and regulated steam-powered jets that distributed coal within the firebox of the locomotive engine.
She began singing as a child, and to compete on radio programs as a young woman. Cruz’s cousin Serafín entered her in a competition on the radio program La Hora del Té (Tea Time) in 1947. She received first prize, a meringue cake, for her performance of the tango “Nostalgia.”
Fifty two years later on April 30, 1999 in the Spanish program, Séptimo de caballería”, in which she sang and took part in a panel discussion with other artists: Ángela Carrasco, Lolita Flores, and Miguel Bosé. Celia briefly discussed the role her mom played in circumventing her dad’s objections to his daughter having a career in show business. “My father didn’t want me to be a singer or an artist. My mother told me, ‘Forget it, I’ll get it sorted out with him.’”
To appease her father, who was embarrassed that his daughter was involved in show business, Celia pursued her studies to become a teacher, but continued to compete in singing competitions. She recorded her first track in Venezuela in 1948.
FBI files, declassified in 2004, revealed that she had allegedly flirted with Cuban communists in the early 1950s. This was at the moment that Celia was a breakout star in all of Cuba having joined the Sonora Matancera Orchestra in August 1950.
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At the height of her popularity in Cuba, Fidel Castro took power in 1959.
Miguel Angel Quevedo, a Cuban businessman, hired Celia Cruz to perform with a pianist in his home at the beginning of 1959. The most influential magazine in Cuba, Bohemia, which had backed the revolution, was owned by Quevedo. … On the night of the performance at Quevedo’s house, Celia was singing when all of a sudden the guests began to rush to the front door. Fidel Castro had arrived. She kept singing.
Celia was informed by Quevedo that Fidel was interested in meeting her. Celia said she was hired to sing next to the piano, and that was her place. Fidel would have to approach her if he wished to meet her. However, the commandant refrained from doing so.
On July 15, 1960, Celia Cruz was forced to leave Cuba because she refused to submit to the new dictator and wanted to carry on living as a free artist. But in 1962, when her mother was sick, she attempted to visit her, but Fidel Castro banned her from entering Cuba. The government once more prevented Celia from going to her mother’s funeral when she passed away. Her music was also censored in Cuba since she did not actively support the dictatorship.
In the same Spanish program, Séptimo de caballería, mentioned earlier she was repeatedly asked to reconcile with the Cuban dictatorship, “to open the door.”
Celia responded to them, “I’m not going to tell you she is above Cuba. But Catalina Alfonso [ her mom] is right next to Cuba, and for her I’m not the one who’s going to open the door. I’m not there, because they closed it to me. My mother died, and I couldn’t go and bury her because they didn’t want to let me in. Let that regime leave then, because it has to go. But should I go there? What you told me are pretty words but I won’t...”
Celia Cruz was punished by Fidel Castro for refusing to bend the knee, and for wanting to live in freedom on her own terms.
“I don’t want to go to a country where I can’t speak like I’m speaking to you now. They were the first to [distance] themselves. Now, since the dollars are so convenient for them, they send all those poor old people here.” …“[Cuba is] a farm, and he’s the owner.” … “There’s a book of Cuban music that couldn’t be released to the world if it didn’t feature Celia Cruz. And it didn’t, because I’m out. So they’re the most unjust and narrow-minded. Because Celia Cruz has to be included there, whether they like it or not, I am Cuba, period.”
The program ended with Celia Cruz responding to the Spanish actress and singer Lolita Flores with a sound bite to sum up her view of the Cuban government. “Let me tell you nicely: May the cancer that this country suffers from disappear.”
Celia Cruz is the “Queen of Salsa.” She was also called the “Queen of Cuba” but in reality she is the “Queen of a Free Cuba.” Celia still holds a symbolic position in Cuba that is a focus for national identity and unity. She is a synthesis both of the Afro-Spanish culture, the defense of human dignity, and resistance to tyranny throughout her own life.
During the Summit of the Americas in 1994, she asked the leaders of the Americas, “Please, on behalf of my compatriots, I ask you not to help Fidel Castro any more so he can go away and leave us a Cuba free of communism.” She said that all the artists had been asked to refrain from expressing political messages, but she had engaged in an act of civil disobedience.
She was finally able to return to Cuba in 1990, but not on territory controlled by the Castro dictatorship, when she played a concert for Cuban employees who worked on the U.S. Guantanamo Naval Base, and collected Cuban soil that would be entombed with her in 2003.
Even 22 years after her passing she remains a Cuban icon internationally, and her example, when shared with the Cuban populace at large, endangers the continuing rule of Cuba’s communist dictatorship.
This is why they still fear the Queen, and why the secret police continue to censor her memory and ban her music.
More on this important anniversary here. A Spanish version of this OpEd was published in Diario Las Americas earlier today.
A special Mass for Celia Cruz was held on October 21, 2025 at Our Lady of Charity (La Ermita de la Caridad) located at 3609 S Miami Ave, Miami, FL. Video of the entire occasion is available in thee original Spanish on YouTube.
















